.Davis Typewriter Works

.Davis Typewriter Works
Showing posts with label Victor. Show all posts
Showing posts with label Victor. Show all posts

Monday, May 25, 2015

The Victor Standard Typewriter

Victor No. 3; Davis Bros. collection

The Victor is one of those typewriter brands which collectors today view somewhat as an oddity, or else as an "off brand" or "also-ran" make.  The Victor lasted in production from 1907 through perhaps 1925, giving it a short life when compared with big makes such as Remington or Underwood.  Yet the Victor has a special place for some collectors, and for that reason we've decided to give a complete history of this machine as we did previously on this blog with the Harris - Rex - Demountable line of machines, the Reliance, and the Burroughs.  This material supersedes that on my old website.

THE VICTOR'S BEGINNINGS

The Victor did not appear from a vacuum; it had its roots in persons involved with an established manufacturer of typewriters.  The Franklin Typewriter Company was that entity from which the Victor developed.

In 1902, the Franklin Typewriter Company of New York, which was manufacturing a machine of that name and which had been invented originally by Wellington Parker Kidder, was declared bankrupt.  The Franklin was a workable typewriter, but was not exceedingly modern and not particularly competitive - but still, it was better in ways than a number of other machines holding out on the market.  The company was sold on October 18, 1902 to one Robert J. Edwards for a sum of $12,222.  The company's tooling had been valued, by assessor, at between six and seven thousand dollars and its factory equipment at about fifteen hundred.

In 1904, the newly reorganized company brought the No. 10 Franklin to market; this would be the final model of this series.  In 1905, the company - perhaps spurred by the then-recent (1904) introduction of the visible-writing L.C. Smith machine, and its direct competitor the Monarch at the same time - began to work on a true $100 front strike standard machine.  The timing of this move is notable, as at this time the Remington, Smith Premier, Yost, and Fox standard machines were all still understrike or "blind writer" designs.  These plans were not announced to the industry.

The new Victor (taking the name of an index style predecessor of the Franklin) was brought to market in May 1907.  One month before this move and concurrent with injection of new capital, the Victor Typewriter Company had been incorporated and had taken over all interests of the older Franklin concern.  The Franklin design was dropped.

VICTOR NO. 1


The Victor No. 1 as introduced to the market in the second quarter of 1907 was a four bank, front strike machine of the general $100 class in all measures such as weight, size and capability.  The keyboard incorporated 42 keys typing 84 characters, with a single (carriage) shift.  The machine had several features which were notable in comparison with other new visibles such as the L.C. Smith or Monarch; for example, every Victor came out of the factory with a decimal tabulator as standard equipment but at no added cost.  The Victor had an outstanding and unique mounting design for its type bars wherein each had two legs attached to the mounting bar one inch apart - a feature intended to absolutely prevent bearing wear from working the machine out of alignment.  The bearings were also adjustable to take up for wear.  Oddities with the machine were its ribbon vibrator, which ran the ribbon vertically at the print point (it being fed by spools under the top deck and having two colors) and the machine's physical setup that ensured the printing was done above the horizontal on the platen.  This latter feature was intended to assist with visibility of the typing in areas not exceedingly well lit; not all typists had desks by the window, and not all offices were well lit in those days.

In the interest of comparison with other standard makes available at the time, it should be pointed out that the Victor was never available as separate concurrent models; other makes, such as L. C. Smith, Monarch and Underwood had two or more models available concurrently with differing numbers of keys and/or wide carriages.  Also, the Victor was unavailable without the decimal tabulator - in keeping with the "single model" concept.  Indeed, throughout its entire life the Victor would never have more than one model offered at one time.

The machine was manufactured in a factory at 812-814 Greenwich Street, New York City as seen below in an illustration from Business Equipment Topics.


This factory building still stands today, in wonderful condition at 812-814 Greenwich St., New York City.  Click here to see it on Bing Maps.  It is now refurbished as high end housing.

As mentioned, the Victor entered the market at a time that the Underwood was moving toward dominance of all other $100 machines, but into which the new and "visible" L. C. Smith and the Monarch had appeared.  Within a year or so of the introduction of the Victor, however, the big Union makes changed over to visibles -- the Remington and Smith Premier machines being the most well known.  Right before the Victor's introduction, the Fox had also changed to a visible writer .. and there were numerous other lesser machines around as well as a flood of rebuilt blind-writers with which to compete.

The Victor No. 1 was actively marketed mainly in the United States, although it did appear in Europe where it was marketed as the DIKTATOR.  This early marketing of the machine overseas was however inconsequential when compared to the efforts undertaken later in the life of the machine's descendants.

DIKTATOR, in the Thomas Fuertig collection.  Note refitting of horizontal path ribbon guide.

As with all new machines of any sort, time discloses deficiencies or weaknesses and responsively the company introduced a number of changes with a new model after having sold roughly 3000 examples of its first model.

VICTOR NO. 2


December 1909 saw the introduction of the Victor No. 2, which in overall appearance and general arrangement followed closely after the No. 1 but which incorporated a very large number of improvements and alterations.  These included the following:

•Change of primary key levers from wood to metal, and change in mechanism design
•Addition of new and novel ribbon color selector device, on front, with distinctive guide
•Back space key (mounted as bar above keyboard, center)
•New carriage rail and bearings
•New escapement
•Variable line spacing
•Improved paper finger design
•Provision for individual adjustment of key lever tension

Retained in the machine's features were the decimal tabulator, the ribbon arrangement, and the orientation of assembly that made the machine type just above level, as it were, on the front of the platen.  Wide carriages had been introduced just immediately prior to issuance of the No. 2 model in 1909.

The Victor Typewriter Company soon found itself in a position to announce somewhat of a sales coup, as it was the Victor that won out over a number of other standard makes in a competition held by International Correspondence Schools of Scranton, Pennsylvania.  The purpose of this competition was to determine which make ICS would use for its correspondence typing and business courses -- for which it would be shipping off not just the courses, but $100 typewriters.

ICS placed an enormous order in January, 1910 for no less than 7,500 Victor typewriters to be used not only for its correspondence work but also by special arrangement in all of its own offices and plants.  This was one of the largest single orders of its time, and represented over twice the entire production that the company had achieved of the No. 1 model in two and a half years.  This order also began what would prove to be a close relationship between the Victor concern and ICS until the complete shutdown of the business in the 1920's.

INTERNATIONAL TEXTBOOK TAKES OVER

After a period of two years and three months the Victor No. 3 model appeared on the market; introduced in March 1912, the machine had a number of small improvements over the No. 2. In its general arrangement, main operative features and mechanical design it was not at all dissimilar from the preceding model.  As it happens historically, the No. 3 would be the major production model for the company; it would last on the market for about seven and a half years.  It continued at $100 price as with the previous offerings.


Victor No. 3 ad, Auto Trade Journal; date unknown, Will Davis collection

When the new model hit the market, ICS announced that it had over 2,000 Victor machines in its service (of all models) whether that be for use by correspondence students or for use in its own offices and plants.  Whether the commitment for a further 5,500 machines to ICS played a role in what happened next is not certain, but seems important given the ICS commitment to its correspondence program - but whatever the case, Victor soon found itself in new hands.

In September 1912 it was revealed to the trade that Robert J. Edwards had sold the Victor Typewriter Company to ICS affiliate International Textbook Company including all patents, tools, facilities and good will.  A letter by inventor George W. Campbell (intimately involved with the Victor for years) to Business Equipment Topics stated that this transaction "benefited Victor in every way." In point of fact, the Victor concern was seriously in trouble, and it is a good bet that ICS bought it partly to save it, partly to ensure its supply of typewriters, and partly due to the desire of  Thomas J. Foster - head of the ICS companies - to become somewhat of a business magnate in the vein of the Vanderbilts or the Morgans.

The various Foster enterprises, which included not just ICS but mining and railroading interests among others were all headquartered around Scranton, Pennsylvania.  Financial magazines of the day made note of the interconnected finances of the Foster enterprises, the apparent seamless movement of money between them (and even mergers of them) and both the frequent convulsions of their financial conditions and the resultant pleas to investors for more cash.  None of the ventures was highly profitable -- the entire Foster empire was a house of cards it was said, and in point of fact the addition of Victor to the fold made the conditions worse, not better.

The periodical FINANCIAL WORLD was never kind to T. J. Foster or his ventures, it would seem, and right from the start it questioned the purchase of the typewriter concern by ICS/ITB, noting in November 1912 that financials for the Victor concern were generally impossible to find but that $1,000,000 had been raised by Foster to buy the stock of a company which had multiple small judgments (in other words, lost lawsuits) against it.  The picture then was of a company so cash deficient it could not pay its bills but yet for which Foster had managed to get a million dollars from investors.  The contract for the 7,500 Victor machines was valued (at the time of ICS purchase of Victor) at about $850,000.


Already in October 1912 FINANCIAL WORLD had directly accused Foster's companies of continuing to offer bad securities after good, so that increasing monies taken in were used mostly to pay old debt.  The periodical wrote of the Foster companies "it is a long chain they are running, but it is no stronger than its weakest link."  Soon the company would attempt to offer a SECOND block of stock totaling $1,000,000.

SHOPPING AROUND TO UNLOAD VICTOR

Before three years were out the condition of International Textbook Company had become rather acute - and so had the condition of Foster's empire.  The outbreak of war in Europe had led to a reduction in sales of all kinds, overseas first and then in the US; hard hit of course were correspondence courses.  According to testimony by Foster a couple years later in an unrelated personal bankruptcy case (not Foster's), just as the War broke out Victor was attempting to establish a conventional sales and dealer network (which implies an outlay of cash to purchase or rent properties and hire and train personnel.)

As early as May 1915 reports began to appear that Int'l Textbook was shopping around for buyers for Victor Typewriter and a new location for its factory.  The May 8, 1915 AMERICAN STATIONER reported that Victor officials were scouting the town of Lynn, Massachusetts and discussing a $1,000,000 deal to locate a manufacturing plant there.  Representatives of the Lynn Chamber of Commerce showed the typewriter men the city.  Nothing came of this proposal, although it did make press a number of places.

However also in May 1915 FINANCIAL WORLD reported that Foster himself was courting the city of Columbus, Ohio to erect a new factory for the Victor.  Foster was proposing that Columbus businessmen underwrite an issue of $5,000,000 worth of 7% bonds; the factory would provide employment for 1500 people, Foster reportedly said.  The publication (more skeptical of Foster than ever) noted the dire condition of the home businesses back in Scranton and jokingly noted that Foster would build a factory in Kamchatka if he could get an infusion of five million dollars.

By the end of May Foster had made another proposal to the businessmen and bankers of Taunton, Massachusetts - this time an issue of $2,500,000 of twenty-year bonds on a basis of 7% return.  FINANCIAL WORLD at this time (May 29, 1915) noted the sorry history of Int'l Textbook and the Victor stock since purchase, with continual recapitalization being required.  "So it goes on, weaving and weaving new securities out of the shreds of an old carpet.  It is an unending process of capitalizing and recapitalizing the same old proposition.  This has naturally and justifiably raised over the whole edifice a black cloud of suspicion," the publication went on to say; it added some details of other financial maneuverings inside the Foster empire to patch holes here and there, and even some bankruptcies.

Victor No. 3 w/ original crate; Davis Bros. collection


By June 1915 the situation of ICS and Int'l Textbook was absolutely critical.  At the 1915 Int'l Textbook Shareholder meeting, Foster himself announced that cash receipts were down for the preceding year over three quarters of a million dollars and this, coupled with rapidly rising expenses had driven available cash to just $100,000.  The company had paid its dividend in January and originally intended to pay April's (and declared it) but then rescinded the April dividend.  The stockholders then voted to authorize an emergency issuance of $1,000,000 in bonds, to be secured by physical property and real estate.  However, none of these bonds sold (even through March 1918.)  It was reported in August, 1915 in THE AMERICAN STATIONER that it was the Victor Typewriter Company's financial condition that was largely responsible for the bad condition of International Textbook Company.

At this time - August 1915 - the Chamber of Commerce of Lawrence, Massachusetts was now reported to be considering whether or not to arrange a deal to buy the company and bring it to Massachusetts. The August 14 AMERICAN STATIONER reported that a letter was sent from the Chamber president to businessmen in Lawrence showing that the condition of Victor Typewriter was not great, having for example only about $28,000 in cash above all outstanding liabilities, but that if any eight business men in the town could each put in $1000 then eight seats on the Board of the new company could be secured and the company brought to Lawrence

What had in fact transpired in the interim between the first visit of officials to Lynn and the present offer for Board seats in Lawrence is that a deal had been struck between Int'l Textbook (Foster) and George W. Campbell (mentioned earlier) to buy out the entire typewriter business from Int'l Textbook.  It was now left for Campbell and his group to discover just where a new factory would be either bought and converted or else built and fitted.

Victor No. 3 illustration courtesy Peter Weil

By October 1915 the deal with Lawrence businessmen had fallen through.  Instead, Campbell and partners incorporated a new Victor Typewriter Manufacturing Company (incorporated in New York) to buy the concern and build a new and large factory in Poughkeepsie, New York.  The capital stock of the new corporation was $2,625,000 (a decent figure, since the Lynn officials earlier had found the capital stock of Victor to be $1,780,000 and the total assets to be $1,267,580.)

November 1915 brought wide announcement of a bright future for Victor.  Trade papers showed artists' renderings of the new, large and modern plant intended for Poughkeepsie, which was designed by architect John J. Petit of New York.  The $1,500,000 plant would include every modern feature and according to AMERICAN STATIONER "it is the company's idea to surround its employees with every element which will be conducive toward their comfort and efficiency of their work."  The new plant would incorporate its own power plant; it would not be ready over a year.  In that month TYPEWRITER TOPICS reported that it was primarily the financial condition of Int'l Textbook that led investors to buy out the typewriter concern.

BACK TO THE DRAWING BOARD

And then the new deal, the massive factory, the new ownership failed.  The deal was not consummated; the new company did not take over.  Not one brick of the new factory was put up.  Production of the No. 3 Victor went along as before on Greenwich St. in New York.

International Textbook, according to V. P. Ralph Weeks, 'reorganized the operations of the company' to secure profitability in what it believed would be the near term.  And things began to actually look up.

In 1916, a number of positive things happened. The company decided to sell some of its sales offices in smaller business areas and hand over the dealership rights to typewriter businesses already established in those locations.  In England, Salter Typewriter Co.'s factory was being used for war purposes -- so it arranged to sell the Victor typewriter through its dealer network.  This meant that Victor gained a new, ready-made (if temporary) sales network in England and that Salter could maintain its network for the time when the war was over.  And the Boston Board of Education, after considering various models for two years, ordered 1,000 Victor typewriters.

The announcement was made in May, 1917 trade papers that the entire equipment of the Victor Typewriter Company was underway by rail to a new home - a factory space erected for it on the property of International Textbook Company, in Scranton Pennsylvania near the other major operative buildings of the company.


The plant occupied by Victor Typewriter from May 1917 onward still stands today in Scranton, Pennsylvania and is seen above in a screen shot from Bing Maps.

There is also evidence that in late 1917 the company set up a subsidiary to handle its machines after rebuilding and/or traded in machines - the formation of a "Victor Typewriter Sales & Supply Co." is noted in several sources and in September 1917 the company advertised that it had "a number of overhauled, perfect condition second-hand machines that had been traded in on the new Victor No. 3 model."  This company was also located in Scranton, Pa.

However in 1917 International Textbook and ICS reported that they had lost over 12,000 correspondence students as a result of the War just in the period from May to December 1917.  Clearly though as seen above the company had made moves to establish sales through conventional sales practices, so that the typewriter business was not directly affected by this loss (which was not by any means limited to just correspondence courses that required typewriters.)

THE NEW VICTOR NO. 10 AND NEW OWNERSHIP


In November 1919 the Victor No. 10 was announced to the trade.  This machine was a thorough revision of the previous general design; while it incorporated the same key lever and type bar mechanism and the same bearing design for the type bars, a large portion of the machine was "rationalized"or made more like that of other standard machines of the day.  The ribbon spools were brought out from under the top deck and placed on top of it; the type basket was reoriented so that impression now occurred level on the front of the platen; and the whole of the carriage assembly was brought up and forward toward the typist to improve access and reach. At the print point, the former vertical orientation of the ribbon was dropped in favor of a wholly conventional ribbon vibrator.  The decimal tabulator design and the ribbon selector quadrant design were retained, but a host of minor other improvements was made and the new machine (which now sold at $110) was said to contain "nearly 100 fewer parts" than had the previous models.  The Victor No. 10 is often erroneously described in collector publications by its platen width (10-1.2 inches) as a model number - but the model is No. 10 nevertheless.  The company expected first deliveries on or about January 1, 1920.

Victor No. 10, courtesy Thomas Fuertig.
Victor No. 10, courtesy Richard Polt


At the same time as the much improved No. 10 was announced, the company began construction of an addition to its Scranton, Pa. typewriter factory.

The year 1920 saw an event that had been attempted numerous times before but which had failed brought to fruition; the Victor Typewriter Company was sold by International Textbook to a concern headed by Everly M. Davis.  The periodical UNITED STATES INVESTOR reported in 1921 that International Textbook had "disposed of interests in Victor Typewriter" during the year 1920, but other sources show the date of changeover being February 1921.  It is possible that the deal was signed late in 1920 and not effective until February of the next year.  Whatever the case, the company was now on its own feet.

An important change that had been progressively occurring in the matter of sales of the Victor was an ever-increasing focus on the export of the typewriter outside the United States.  Earlier in this piece Foster was quoted as saying that Victor was only just establishing a sales network at the time it was purchased by International Textbook; at an international trade convention in Cleveland, Ohio in 1921 Victor Typewriter President Mayne R. Denman told the assembled crowd that when the war had broken out, his company was not exporting.  He did point out that after concerted effort in the field, it was now exporting 80% of its product.  He mentioned that some companies who had been exporting pre-war were referring to new exporters as "wild-catters" (a derogatory term) but he said that he felt the new exporters had every bit as much right to build business as old exporters had.  Denman also brought up the problem that some South American opportunities had been stymied because prospective customers had been cancelling orders; the required purchase of raw materials for these had taken place in some cases a year in advance, so that when the customers ultimately cancelled the costs for the whole process were thrown onto the manufacturer.

Victor No. 10 courtesy Tilman Elster.
In June 1922, trade paper Business Equipment Topics reported that production of the Victor No. 10 during that month was greater than during any other month for the last year and a half, and that the company was essentially 25% overbooked in sales vs. actual production.

THE END

We do now know the exact turn of events (yet) that surround the collapse of the Victor Typewriter Company, although the worldwide recession of the early 1920's is unavoidably contributory.  What is clear is that for some reason or another, in March 1924 Business Equipment Topics reported that ownership of Victor Typewriter Company had passed BACK into the hands of International Textbook Company.  In point of fact, back in June 1922 (the same month that manufacturing was reported to be at a high point) it was also reported that two whole floors of a building at Scranton that had formerly been used by Victor were being re-purposed for other uses.  It is quite contradictory to find that Victor's production was at a peak and that it was giving up floor space -- but the nature of a trade paper is first to promote and second to report.  Thus it was very likely that production of the machine had not been vibrant at all for some time, and that the reported "peak" in manufacturing was more of a last gasp than an augury of future success.  Whatever the case, the death of the concern was near at hand.

Moody's reported that Victor Typewriter Company had (in 1924) about $568,000 in notes outstanding to International Textbook.  This must partly explain ITB taking control of the company once again, and indicates the company's cash-deficient position.

References to existence of the company can still be found in 1925 publications - but not in 1926.  In 1926, the Victor Adding Machine Co. paid Victor Typewriter $15,000 for "rights and good will" concerning the name "Victor" for typewriters, as it intended to launch a portable typewriter of indigenous design and wished to use its name for the typewriter.  At this point, this was probably the largest payment Victor Typewriter could have hoped for, and surely this was an aid in the dissolution of the company which must have occurred at about this time.

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PERSPECTIVE AND ANALYSIS

Victor Typewriter Co. manufactured four models over the span 1907-1924.

•Victor No. 1 /  May 1907 - December 1909 / serials 0 to ~3000 (3000 units)
•Victor No. 2 /  December 1909 - March 1912 / serials 3000 to 7500 (4500 units)
•Victor No. 3 / March 1912 - December 1919 / serials 8000 to 25000 (17000 units)
•Victor No. 10 / December 1919 - ? 1924 / serials 50000 to 55000+ (about 5300 units)

When the Victor machine was first conceived about 1905 the market was still responding to the Underwood; the brand new visible, front strike L. C. Smith and the similar Monarch were making enormous waves in the trade press, and the push toward all standard machines being visible writers had just begun in earnest. (The Oliver also continued to be a force.)  The Victor just barely beat the Remington and Smith-Premier visibles to market in 1907, but it had been beaten to market by the Fox and by the brand new Royal, both of which had appeared in 1906.  The Royal had two models - a $100 and a $65, both described as "Standard" machines.  In the same time period the short lived Remington-Sholes Visible appeared, and quickly disappeared.  Sun Typewriter Company had introduced a $100 machine (its No. 6) to complement its line of lower priced front strike machines.

The Victor has, as a product line, a peculiar distinction -- Most $100, small brand machines introduced in the USA later than it did failed or at least did much worse than it did; these include the Blick-Bar, Remington-Sholes Visible, Secor, Sholes Visible, Stearns, and Visigraph.  The Woodstock, introduced 1914 was later but as we have described in one of our videos was not initially a $100 machine because of the issuance of "credit drafts" with each machine during early years, bringing the price under $70 (a policy which was not maintained, but rather kept long enough through production of the Woodstock No. 4 to ensure spread of the product.)  We thus can provide a pinpoint in history for the Victor as about the last "off brand" $100 standard to make it.

Rebuilt standard machines available at good quality but half the price of new standards seriously began to make inroads as increasingly they became available at this same time; additionally, a number of ostensibly "standard" but lower priced and less well featured machines such as the Harris Visible, the Pittsburg Visible (later Reliance), and others such as the Molle populated the same price range as the better rebuilt machines.  In other words, competition was fierce.  The First World War had a serious effect on sales; the increase following it was more than blunted by the world-wide recession of the early 1920's that killed off so many manufacturers (not just Victor, but Reliance and Fox to name a couple.)

Victor No. 10 trade catalog illustration courtesy Peter Weil
As originally introduced, the Victor had some features that appear to us today to be peculiarities, but in the world of typewriters such as it existed at the time none of these would have been especially glaring.  However within just a few years it became clear, for example, that having ribbon spools on the top of the machine for the sake of convenience was preferred, and in ways the Victor became more and more out of date domestically.  Export sales clearly helped bolster the machine, though, and after some years the design was heavily modernized and relaunched at the start of 1920 as the No. 10.  This model only sold about five thousand machines before the company failed.

At no time was Victor in any position to steer the overall field.  Its machine was good, but no better than the other $100 makes and had nothing especially to commend it.  Instead it remained an "also ran" for its entire career - although it maintained its high market price to the end.

Victor No. 3, Davis Bros. collection
COLLECTORS TODAY AND THE VICTOR

Victor standard machines were superbly painted, decaled and finished, and are very often found in a condition that surprises.  For four bank front strike standards, the Victors draw a premium price.

Numerous Victor machines were rebuilt and relabeled by Chicago-area rebuilder Harry A. Smith Typewriter Co. and can be found with this brand name and variously given the Harry A. Smith model numbers of 2, 4, and 6 (rebuilt Victor No. 2 machines) and 9 and 12 (rebuilt Victor No. 3 machines.)

With something over 30,000 Victors of all models built, the Victor as a brand is roughly as common as Demountables of all models (about 25,000 built) but considerably less common than Harris Visible / Rex Visible machines of all models (about 70,000 built.) Roughly three times as many of the ornate, open sided (German built) Ideal machines were made as were made of all models of the Victor, as a poignant comparison.  Certainly then a Victor of any model should be on the wish list of any collector interested in early or unusual front strike standard typewriters.  Serious typists (in other words modern writers) should only pursue the No. 10 model, if any at all.

LINKS

Typing test!  My Victor No. 10, tested back in January 2011.

Harry A. Smith page on this blog features details on rebuilt Victors

SOURCES

As noted in the text - includes various issues of Business Equipment Topics / Typewriter Topics, The American Stationer, American Machinist, Poor's Manual of Industrials and Public Utilities, Automobile Trade Journal, Educational Foundations, United States Investor, Typographical Journal, and Financial World.  Black and white typewriter cuts taken from Business Equipment Topics (Victor Typewriter Co. advertisements.)  All other illustrations and machines shown, see individual captions and descriptions.

Machines in Davis Bros. collection include a Harry A. Smith No. 4 (Victor No. 2), a Victor No. 3 and a Victor No. 10.




Saturday, May 4, 2013

Harry A. Smith - No. 4, and complete Smith history

Long time readers of this blog will recall the early March, 2011 post concerning the Harry A. Smith No. 4 machine, in which we showed the complete unpacking of the machine with original shipping crate and paperwork.  The machine is shown again below for reference.

 
 
In the above photo, our Harry A. Smith No. 4 serial number 5324 is shown in a more recent photo in one of our storerooms.  The machine is sitting on its shipping crate.  Of course, this machine was originally a Victor No. 2 that Smith's concern has refurbished and completely repainted / relabeled, obliterating the machine's original make and model.
 
Harry A. Smith is of interest to typewriter enthusiasts for a number of reasons:
 
•The typewriter industry itself cannot fully be understood unless the actions of firms other than the major builders are explained; this includes rebuilders as well as smaller companies that sold only through mail order or catalog.
 
•Smith's firm was known for relabeling some models as seen above, which creates interest among collectors as these examples are fairly scarce.
 
•Smith is mentioned in a number of pieces of the accepted literature used by collectors - pieces either written for the trade early, or specifically for collectors later.
 
One of the things we've been able to find is an original advertisement for the exact model of typewriter shown above (and of course at the link provided.)  This ad is seen below; click to enlarge.
 
 
The advertisement dates from 1916 and clearly shows and describes the Harry A. Smith "Standard Visible Smith Model Number 4" typewriter -- an exact match for our example.  We might say that the machine is now fully documented, having its crate, paperwork, a top condition machine and an original ad to corroborate it.  The dating of the ad allows further information to be surmised.
 
At time the advertisement appeared, Victor Typewriter was in somewhat of a state of upheaval. According to the Typewriter Topics compendium (see our Reading List page) an attempt was made right around this time to set up a completely new corporation, worth over $2.5 million, to buy the entire operation from its previous owners.  Further research online tells us that a new factory, distant from the original factory in which the Victor was made, was being built.  We know that this attempt failed - the new factory was never used, and the ownership of the typewriter business remained with International Textbook Company who then moved the factory to its property in Scranton, Pennsylvania.  This upheaval, and a need for cash, may be an explanation as to why or how Smith obtained these machines.
 
A separate guess (but certainly one that might have played a role) has to do with the outbreak of war in Continental Europe.  The conflict made it temporarily difficult and at times impossible to ship goods such as typewriters to Europe, where a number of makers had formerly enjoyed brisk sales. 
 
The search for "why" in the case of the No. 4 again brings up the fact that Smith clearly did not simply purchase remaining machines from companies or dealers that shut down.  Smith was placing ads in publications offering to buy typewriters in lots of anywhere from ten machines to a thousand - meaning that his range of possible acquisitions was quite broad, and not simply limited to inside the business deals, as it were. 
 
In a separate post which will appear on this site later, we'll also discuss another newly revealed fact - the fact that the general lifetime of office machines in the early days was far shorter than we might have surmised - on purpose - which greatly increased the number of used machines in existence. 
 
MODELS AND DATES 
 
 

The range of machines sold over the years by Smith has in part been determined by research of the advertisements he placed, in addition to ads in my collection.  At right we see an early advertisement from Smith, who is selling the Smith Premier No. 2 machine.  The date of the ad is not known.  Note the typographical error - the seller is listed as "Harry E. Smith."

Some machines that Smith was known to deal in over time are as follows: 

Smith Premier No. 2; 1912 through 1915

L. C. Smith (various models); 1913 through the end of the business

Remington No. 6;  1914-1915

Remington No. 10; 1915

Victor No. 2 or No. 3; 1916-1918

Underwood No. 3; 1917

Harris Visible / Rex Visible;  1917 and again in 1922

Royal No. 10; 1922

Stearns Visible;  1922

The above listed machines are not all-inclusive.  For example, Smith was known to have sold the Emerson, and is suspected to have sold the Burnett and possibly the Remington Junior.  The dates are also not intended to be all-inclusive but represent advertisements available today. 

The company did occasionally sell brand new machines; it sold the National Portable new from the factory in late 1919.  For whatever reason, the company also repainted and relabeled some National No. 3 portables as "Harry A. Smith."

Of all of the above machines, the following are known or suspected of having been repainted not as their original models but as various Harry A. Smith models:  Harris Visible / Rex Visible, Victor, Emerson, Burnett, National portable.  All others were sold as their original make/model.

TIMELINE AND ADS

Let's take a look at a timeline, interspersed with ads from my collection and which have appeared on my site previously.

1911 -- Harry A. Smith forms the Harry A. Smith Typewriter Company, with offices and factory in Chicago, to deal in rebuilt typewriters.  Smith had previously worked as a salesman for Burroughs Adding Machine for roughly 12 years, and then as a salesman for Miller-Bryant-Pierce.  Smith was born in England in 1874, and so was 37 years old when he formed this company. 

During the next several years, the company's trade in rebuilt typewriters was busy but for the most part unremarkable.

In 1916-1917, for reasons yet unclear, Smith's company begins to sell typewriters completely repainted and relabeled not as their original make/model but as Harry A. Smith models.

In 1917 after the death of George Blickensderfer,  the Blickensderfer concern sells Harry A. Smith the rights and tooling to manufacture what had been previously marketed as the Blick-Bar.  (See my page on this machine here.)  It appears that Smith set up another whole operation internal to his original company in order to build this machine brand new, while still also rebuilding typewriters as before.

In February 1918, the Federal Trade Commission files action against Smith (and several other companies) for suppression of trade due to false advertising -- essentially, the claim was that Smith was selling rebuilt machines without telling customers they had been rebuilt.  This claim is clearly true from advertising that survives today.

In late 1919 the company makes its first known attempt to sell brand new (unrebuilt) typewriters, when it advertises the National No. 3 "direct from factory."  The No. 5 was about to be announced in January 1920, so these No. 3 models may be the last of the on-hand stock.  One of these machines has however been found not in original trim, but labeled for the Harry A. Smith Typewriter Co.

In December 1919, the rebuilt typewriter operation is separated from the Harry A. Smith Typewriter Company and became the "Smith Rebuilt Typewriter Company."  The Harry A. Smith Typewriter Company continues to attempt to build the former Blick-Bar as the Harry A. Smith No. 10, even buying a plot of land and beginning to build a factory in Elkhart, Indiana.

April 1920:  Smith sells out his ownership of the Smith Rebuilt Typewriter Company to the firm's General Manager and two other persons.  This company changes its name again to "Smith Typewriter Sales Company."  This may have been to help fund his struggling other concern.

In 1921, the Harry A. Smith Typewriter Company (maker of the new machine) is declared bankrupt and a receiver appointed.  This marks the end of Smith's attempt to manufacture typewriters brand new, and the particular design involved was never manufactured again.  Smith had never achieved placing the machine in production, much less on the market.

In 1922,  the Annell Typewriter Company begins to advertise the Annell No. 3 by mail-order, which is a modified Woodstock machine.  Harry A. Smith is heavily involved; Annell is his middle name, and trade press announced him as handling advertising for this machine at the time.  This attempt -- direct mail marketing of a brand new machine, but by a firm separated from the original manufacturer -- is not entirely novel, as we will see in another later post on this site.  The attempt also fails and the machine disappears along with the company.

Sometime after the Annell events, Smith returns to the Smith Typewriter Sales Company as its General Manager and is even featured in its advertising.  Smith, perhaps worn down by years of defeats and obstacles, had developed some sort of stomach problems and died while surgery was being attempted to alleviate these problems on January 11, 1925.

(Obituary details courtesy Alan Seaver.)

Now, we'll look at a few advertisements and place them in proper time and context.  All of the ads you're about to see are either in my collection (some of these are newly acquired) or are those of friends and have been shown on my websites before.  Click to enlarge and read!

November 1914 ad - Will Davis collection

 
Ad in Will Davis collection; date unknown

 


1917 ad for relabeled Harris Visible No. 4; Herman and Connie Price collection

 

1922 ANNELL' Typewriter Co. ad - Will Davis collection

October 1922 Smith Typewriter Sales Co. Ad - Will Davis collection

The above advertisement is of interest for several reasons.  First, this ad presents proof that Smith or his former company sold the Harris Visible / Rex Visible design twice -- once in 1917 and again here, years later, in 1922.  Second, the ad clearly states that this batch of machines was 'salesman's samples' from around the country.  This would correspond with the shutdown and bankruptcy of Rex Typewriter Corporation, and the buyout (at Sheriff's sale) of the entire factory and operation by the new Demountable Typewriter Company.  That would mean that this second batch of machines would be Rex Visible machines originally.  The 1917 sale is thought by this author to be the selloff of the machines formerly used in Sears-Roebuck's offices and catalog administration.  The ad also continues to use essentially the same style of ad copy Smith's ads had been known for for many years prior.

Later style of ad from Smith Typewriter Sales Co.; date unknown


Late ad showing and quoting Harry A. Smith - Herman and Connie Price collection
 
The above advertisement dates from the final phase of Harry A. Smith's career - he has returned to his former concern as its General Manager.  Also of note is the declaration that the firm is only handling L.C. Smith machines by this time.
 
 
HARRY A. SMITH  - VICTORS
 
Harry A. Smith is known to have sold both Victor No. 2 and Victor No. 3 machines, variously labeled as No. 3, No. 4, No. 6, No. 9 and No. 12 models.  This last model was a "Telegrapher's Special."
 
 
We've shown our No. 4 machine at the top of this post; here are two other machines owned by friends.
 
 
Above is Richard Polt's Harry A. Smith No. 6, serial number 7447 which was originally a Victor Standard No. 2.  The open front is a giveaway that a Victor - if unaltered - is a No. 1 or No. 2.
 
 
Above is Thomas Fuertig's Harry A. Smith which appears to have no model numbers painted on its front frame.  This machine is serial number 20892 and was originally a Victor No. 3.
 
I hope you've enjoyed this fresh look at Harry A. Smith, even with a bit of an extra focus on the Victor machines.  This blog page should be considered to completely supersede my old "Typewriters by Will Davis" pages on Harry A. Smith.
 
Thanks to Herman Price, Peter Weil, Richard Polt, Alan Seaver and many others for information used to help assemble the evolving knowledge base on Harry A. Smith over the years.
 
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Here is some further reading that may be of interest:
 
REBUILT TYPEWRITERS -- the only place on the net to research this topic in depth.  My long standing pages on the topic with complete details.
 
There are a couple of entries on this blog that mention or cover rebuilt typewriters.
 
 
The post on the Woodstock No. 4 contains that company's feelings on rebuilt typewriters.
 
VICTOR STANDARD TYPEWRITERS -- my pages on the Victor.  Complete history of the machine and coverage of all models. 
 
 
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12:00 PM 5/4/2013 --  Will Davis
 


Tuesday, January 25, 2011

Victor No. 10: A Quick Look

Years back, when I constructed my "Visible Typewriters" website section, I included a thorough article on the Victor Standard machines, with help from Peter Weil, Richard Polt, Jim Dax, Tilman Elster and Thomas Furtig (who is on board with me on this new site's "ABC in Detail" series, still ongoing.) We reviewed the history, the known models and even some relabels, and fully examined and tested a Victor No. 3. What's left to do is to get out and test my Victor No. 10... so let's do that now. Better late than never.

Victor No. 10 serial no. 52072

The Victor No. 10 was a 42-key, standard, $100 machine meant to compete with the best of the other machines in that price range. The machine has, as standard equipment, a rather novel decimal tabulator device which we'll describe shortly, and completely unobstructed view of the print point from all useful angles from the front. Many machines of the early 'visible' period incorporated front-mounted margin setting (see the Continental we just reviewed) a la the original Remington blind-writers, which of course partly obstructs the front view of the machine; some makers, like L.C. Smith and Royal heavily advertised the openness of the front on their models and the Victor machines all fall properly into this sort of visible machine.

This particular example has been very heavily used and repainted partially at least once; this is why the paper table and front frame decals aren't visible. While it's nice to have really mint condition machines in many cases from a collecting point of view, from a research point of view it's also nice in many cases to have some with high mileage so that the effect of wear can be judged. Further, it's nice to see what we might today call an "off brand" machine that stood up to the test of time.

Of course, the front of a machine gets a lot more surface abuse than the back so that commonly the rear decals are in much better shape than those on the front- and that's the case with this machine. It's interesting to note how prominently the machine tells us that it's made in America; we know from Typewriter Topics' 1923 compendium that Victor had been essentially exporting all of its production for about six years at that point, so that this labeling makes sense. And collectors should note that the list of patents found in the same places on the earlier models is still there, but much longer and running through 1919.

Although we will show, in a later article, a side by side comparison of the No. 3 and No. 10 Victors for point-by-point differences I'll note here briefly that the Victor No. 10 is improved over the Victor No. 3 (the previous model) in two major ways: First, the ribbon spools are now mounted on the top deck horizontally instead of internally and vertically; second, the ribbon vibrator is wholly conventional on the No. 10 and much more agreeable.

The No. 10 Victor has margin stop devices mounted to the rear of the carriage, but fixed to the frame of the typewriter and not to the carriage; as a result, the setting of the margin stops is like that of front-mounted designs, or else like that of the Monarch Visible in that, giving one side only as the example, the stop on your left side controls furthest left motion of the carriage and is thus actually the right margin stop (if we say 'right margin stop' thinking about the number of carriage spaces at which printing ends on the right side of the line.) This system would have been intuitive for those familiar with Remington, Underwood and Monarch machines but is backwards to most modern typists. However, once figured out and set, the device is no problem for modern non-secretarial and non-business work.

The decimal tabulator, standard equipment on all No. 3 and No. 10 Victors, is of unique design. The operating device consists of a depressed or dished button for the fingertip, a marked quadrant near the top and a pivot at the bottom. The quadrant is rotated to the corresponding number of places required for the column at hand (if entering "3042" then move the device to "1000" on the quadrant) and then the button is depressed. The rotation of the device to the desired digit translates by shaft to the rear of the machine and up to the top deck, whereby through linkage the entire tabulator stop rack is moved horizontally to match the number of typed spaces corresponding to the desired figure. Depression of the button then performs the carriage release until the stop is reached, at which point the device is simply released and the figure entered. We have tested many decimal tabulator designs and this device seems easy to use, although not truly intuitive, and would be handy once familiar.

The 42 key layout is fully standard. Note the shift lock key, above the top left of the keyboard. This may be depressed to obtain shift and the lock action simultaneously, or else depressed while the shift key is held. This is somewhat reminiscent of early L.C. Smith machines, if I recall correctly. The shift on this machine must be described as very stiff, and the shift key lever throw fairly short, so that strong fingers are required. However, this is nothing compared to the key action itself. There is no doubt about it - this machine is tuned for professional typists. Simple slow easy depression of the keys results in only the very lightest contact between the type slug and paper. This forces the staccato touch method for this machine. Once this method is employed, the key action is best described as very springy and stiff, with sharply increasing resistance feel with travel. Of course, at the highest speed typing the fingers are not following the keys down that far so that at this odd feel isn't important. Once this speed is achieved, the machine comes into its own. I have not typed a whole lot of late, but am not out of practice - and I think maybe this machine is in the upper rank of speed capability. (If Richard Polt has another get together with typing speed contest, I might bring it.) A very steady rhythm is needed with this machine and is rewarded; the key rest is hard, and the type slugs bounce on return which might theoretically limit speed - but I never did jam any type bars at all with this machine. Further, the type is dark, and in alignment. No skipping, piling, shading from machine error. I note here that this machine does in fact have elite type, in a very attractive type face with just slightly heavier than normal print so that the product looks between, say, that of any normal typewriter and that of an Oliver Printype. Having said all of this, I can add one thing: I do not know of any typewriter that has a feel like that of this Victor. There are distant similarities in feel, but none the same. The overwhelming feel of driving large springs with the fingertips when typing is notable. For the experienced typist, this feel is like that of an open top sports car; it demands more speed, and more speed, until the limit is reached. It pulls the performance out of you.

(Item: Other very fast machines can be subtle. The R.C. Allen, for example, feels a lot like many other machines vaguely if you just type lackadaisically. But as you speed up, you realize that the return speed of the type bars is adequate, the carriage doesn't skip, and the feel is good so you go faster and faster. But nothing about the machine MAKES you realize, at least initially, what it is. It's more refined, more well rounded. The Victor almost demands to be run one way - really fast, and really steadily - and rewards nothing else.)

After getting my Victor No. 10 out following a long period of neglect (you can't pay attention to every machine when you have THIS MANY TYPEWRITERS) I'm impressed. The Victor as we all know played no significant part in the history of typewriters, per se; that is to say that nothing Victor did made any other builder stand up and take notice. Further, from the time of the First World War's end the company really didn't sell their machines here as much as it exported them which might to some give them no sense of real identity; they're American-made machines, but made to be exported for the most part. Bearing all that in mind doesn't negate the fine qualities of this machine, though. While there are some features that aren't top notch, none is really awful on this machine. The machine's worst feature can also be described as its best; the key lever and type bar mechanism's action is such that a new or non-dedicated typist might just give up on using this machine, but is such that an experienced typist might come to really prefer it over many others - including many major makes.

Once again, an 'off brand' or non-major make surprises us with something we would not have known had we not decided to really put all our machines to the test around here! Keep watching for more installments in the "Quick Look" series, which are intended to give readers the best possible brief idea of what a given machine is really like .. next to owning one.